Wednesday, 23 January 2019

HOW TO SELF-PUBLISH AN EBOOK ON AMAZON (OR PAPERBACK TOO!)

As an Amazon Associate I earn from qualifying purchases.


How to self-publish an ebook on Amazon (or even a paperback too)

Waiting to be chosen by a gatekeeper is painful.
And being chosen by a gatekeeper only lasts as long as the gatekeeper chooses.

At the end of last year, as another experiment, I wrote some comedy routines and self-published them as a book.

Turns out it’s about as easy as publishing a podcast or youtube video.
Which means it’s very not easy in parts and comes with annoying fiddly niggles.
But it can be done without killing you.

Amazon have set up a system to publish anything as an e-book, direct from a formatted Word document.

If you go to
kdp.amazon.com
and login with your regular Amazon password, there’s a dashboard for publishing books.

The hardest part for me was going through the US tax regulation menus for the payment account - but you don’t need to set this up until you’re ready to hit “publish”... and I seemed to survive it.

KDP (Kindle Direct Publishing) has Word templates for download, and also a Word plug-in, to create documents from scratch.

I use a little of both of these to create a Word document that looked like the book I would want to read.

Then, it was as easy as pasting in my manuscript, one chapter at a time to not screw-up the formatting.

I completed it with text-only pastes from my draft: sometimes one paragraph at a time to get the page breaks and indentations how I wanted them to be laid out.




On the kdp dashboard, you can create your new book:
Think up a title and subtitle, description, categories and key words.

Once you’ve uploaded the Word document, there’s a built in cover-creator where you can upload pictures. The Cover Creator is clunky, stiff and mostly ugly, but easier than uploading a self-designed PDF cover.

You then set the price of the ebook.
There are different percentages and royalties, but basically you get money for every book sold, and royalties for any pages read on their Kindle unlimited schemes.

The minimum price is based on their cut, printing and postage costs, and you can affect this by number of pages, type of paper and colour options.

It seems if you already have a story, or material on video or audio, it would be “easy” to paste that into as many books as you like.

I did this for an oral history I made with my Dad, who had just retired as a London Taxi Driver. The material already existed as a series of videos I’d shot with him.
YouTube had auto-transcribed them for me. So all the “writing” involved was formatting and cleaning up typos and unclear sections.
The book is here:
https://amzn.to/2PL4c5R

The next clever thing is that you can then convert that e-book into a printed-on-demand physical paperback book, which can be put on sale all over the World.

After publishing my first book - I found it much easier to format the e-book in the way I wanted the paperback to look, so I have only one Word document to amend and correct. But you can keep separate Word documents if you prefer.

This is how I published my book of comedy routines - as a writing sample.
https://amzn.to/2wPJau8

Here’s a PDF so you can see how it looks.
https://tinyurl.com/WATPfreebookPDF

All just created from regular old Word.

There’s one more benefit I love.

The text is completely changeable.

You just upload a new Word document (which I love that they grandly call my “manuscript”).

It doesn’t have to be perfect first time.
I try and make it perfect, but changes always appear and can be easily fixed before the next book is printed or downloaded.

There are some more kicks for me with this:
- My Dad’s story is out there. Forever. It was only for my family, but other Taxi Drivers have bought it and thanked me for it. (Which I'd never set out to do).
- I am now automatically listed on Google as an author.
I never wanted that as a label, but it’s really cool that these pop up with my name now.
- You choose however much money you want, because you set the price of the book.

There are, obviously, loads of other places you can self-publish with different distribution models (I like the look of blurb.com too).

Anyway, putting this out there in case it helps.
Is this something you think you could do? What would you publish?
Leave me a comment if I can help with any answers.


Try my new book!


Previous post...
How To Be A 1960s London Taxi Driver part 4 - chats with my Dad about The Knowledge and driving a Black Cab


All about me, and getting these by email.

Thursday, 10 January 2019

How To Be A 1960s London Taxi Driver part 4 - chats with my Dad about The Knowledge and driving a Black Cab



This is the fourth video I shot with Dad about being a London black taxi driver in the 1960's...

I like the bit about the account work for the eccentric heir to the Huntley & Palmer biscuit fortune.

When I tweeted this out last year, lots of cabbies blew in with updates on the legend. Like this one:

"I’ve heard the old stories about the Eccentric Heir from some of the old timers...he used to insist that the Taxi wait at the Station; he’d be gone for days and would mark the tyres with chalk to make sure it didn’t move til he came back.

Drivers would change over the Cab and go home on the bus or train and leave the meter running!"


Plus - this is the first I'd heard of Johnny Onions in Camden Town.

How to be a 1960s London Taxi Driver Part 4 | Chats with my Dad oral history



(feel free to turn the speed up and whack the subtitles on...)

Ian talks about working on a London taxi radio circuit in the 1960s, account work,
1:00 Eccentric customers (including the heir to the Huntley & Palmers biscuit fortune,
3:30 the doctor who'd go to the Phene Arms pub every day of the year)
5:55 In Camden: The Good Mixer, Johnny Onions, Arlington House,
8:10 Ian's first ever fare, which you never charge for
9:00 The benefits of taxi ranks

Out now as a book on Amazon UK Kindle and paperback!
As an Amazon Associate I earn from qualifying purchases.



Or here on Amazon US

TRANSCRIPT:

And then account work came in, so that someone could book through the circuit.  And then what, you'd get a statement at the end of the month?  Back then?
Yeah.  When you do a job, say Agar Grove to Euston, it was on a bit of paper.  At the end of the evening, you blew in what was on the meter.  We had so much work, I mean you could fill this room with the bits of paper.  Of course they'd get lost and misplaced.

What and you'd take these bits of paper into the office?
No you had a book, where you'd put every job you did, and then say, once a fortnight, they'd pay up - you went to Maida Vale where the office was and they'd give you a cheque, for the work you'd done.

What were your favourite ones?
There was supposed to be - it was true, though I never did him - a Mister, I don't know if it was Mr Huntley or Mr Palmer - he was, you know going to this... he was connected to Huntley and Palmer Biscuits (yeah?) and they've just given him a few bob just to get him out of the way, because he was bit [loopy].  And there was this story that he goes into this hotel in Swiss Cottage, and they wouldn't give him a room.  So he went back next day and he bought the hotel and gave all of the staff the sack!  But I think that's a bit of a story.

But he used to book - take a taxi on a Friday night to go to Southend or... it was either from Charing Cross or Fenchurch Street, and you had to wait for him.  And they used to change over - he used to come back, like Sunday night.  But the driver would do 12 hours (waiting), and change over and another cab would do 12 hours, and another cab 12...  And he used to pay it.  You know you'd get paid because he had an A1 account with Coutts (Bank)!

Or he would go out jogging at 3 o'clock, no, 2 o'clock in the morning... then he would go down to Fleet Street there was an open - a cafe that was open all the time - Johnnies.  And he'd used to fill a vacuum flask with mashed potato or something and eat it in the back of the cab.  And then you'd take him back to the hotel.

And that was one of Huntley or Palmer?
Yes, I heard about it and it was true.

Where was Johnnies?
In Fleet Street.  I used to eat there with me and my pals after the pub on a Friday night.
Because they worked at the print works?  Was it those mates?
No, it was before that! 
Were these other cab driver mates?
No, no, they were just fellas I knew from the pub.
I wonder what's at Johnnies now?  It's probably a Tesco Express or something.
No, I think it's a McDonalds. 
Oh I know it, yeah yeah.
It's just somewhere there.  And we used to get a doctor - a retired doctor - who lived just over Battersea Bridge, and he used to go to the Phene Arms.  Where (George) Best used to go.  And he used to use it 364 days, yeah 364 days a year.  And there was one day missing, it was Christmas Day and he didn't go then because the pub was shut.
And we used to call it "You-know-who-going-to-you-know-where".
What on the radio?
Yeah, because everybody knew it!
And who was it?
A retired doctor.  
And what he'd just always get a cab...
Of a morning... what time would it be about... half one, and then you'd take him back at three o'clock.  Then he used to go down at half seven, till closing time.  And they used to do that every day of the week. 

Oh my - Where did they pick him up from?
Oh I can't think of it.  It was a road off of Prince Of Wales Drive.
Yeah, and he used to go to what the same pub - did you say as George Best?
Yes it was the Phene Arms, that's gone now I think... P-h-e-n-e I know where it is, I can't think of the name of the street just now.  It was just over Chelsea Bridge, Battersea Bridge.
And as I say, they did it for so long that they said "You-know-who-going-to-you-know-where" and everybody knew him.

Oh and then we used to have a night dispatcher called Johnny, I can't think of his full name, erm... he used to live in another posh area, off of Cross Street, and we used to take him to Maida Vale.  And he used to have a right gruff voice.  And he was a little fella with a dodgy leg - and they used to say "go pick him up", "Yeah, what's he got?  He's got a bowler hat... he's got an umbrella stuck on his right arm, and underneath the other arm he's got the Jewish Chronicle."
 
I remember you telling me that The Good Mixer (in Camden) was called The Good Mixer because... for a reason...
Yeah, there was a cement (mixer) - one of those things that made cement where you turned the wheel.  And they'd come out, they did some renovations in the pub and they couldn't get this thing out!  So they just left it in there! 
In the basement? 
Yes! 
And then they called the pub, The Good Mixer?
Yeah!
When was that, can you remember?
About, this was 1966.
Oh right, because it's quite a famous pub now.
Yeah, if it's still there.
Oh, Johnny Onions. 

Johnny Onions?
Yeah, that wasn't his second name, it was 'cuz it was where the cinema was, not - there used to be a Cinema in Chalk Farm Road - as you come over from Camden High Street - it might be Camden High Street - there used to be a cinema on the left, and the local fellas just used to - the stallholders - gave him a couple of sacks of onions to sell.

So Johnny Onions would just sell...
Onions!  He lived in Arlington House, and he was quite happy there.  I often used to drink with him and a few fellas from there and they were petrified of all these do-gooders from Camden Council wanting to give them flats.  And they said, "you know, we're happy as we are...  we don't have to worry about gas bills, electric bills, or anything like that.  I wish they'd leave us alone!"
Because Arlington House was the house for down-and-outs wasn't it?
Yes.
They probably didn't call it that.
But they had sort of the posh bits where they had their own locker.  And their own bed.
Right, and they were quite happy with that.
Yeah quite happy with it.
And can you remember when you passed your test, your taxi licence test, can you remember what your first job was? 
Yes, 'cause the first job you don't charge them.  Because it's supposed to be unlucky.

Oh okay, that's just like a tradition?
Yes.  It was-  I was on the Camden Town (cab) rank and I went to Elthorne Road.
Elthorne Road?
Yeah where Mum worked!
That was a coincidence?
Yes it is!
She worked actually in that street?
Yes.
That's weird.
Oh, just trying to think - we used to call ranks by the pubs. 
Because often, another good way of calling work (over the radio), you used to call them to the nearest cab rank.  So if you were on the cab rank, you automatically got the job.
Because it saved a lot of messing about and a lot of time.

What, if someone hails you at the rank, or phones?
No, they used to call the rank (over the radio).   Like the George rank up in Hampstead, by the Royal Free.
What they'd have like a telephone there?
No, the fellas- you used to rank up there, and they'd say call (over the radio) the George rank to Kings Cross.  And then you'd just blow in and say yeah I'm first, second or third.
And if you were a radio taxi on there you got the job.

Were there many ranks round London back then.
Yes.  It just made the job easier as we got more busier and busier.  Oh this is driving me nuts, the Camden Town (rank).  You didn't call the Camden rank.  There used to be a pub on the left hand side and its a phone shop now, well it changes every couple of months - oh I can't think of the name of it!
And what's this, this is a rank in Camden Town?
In the High Street.  Where the toilets are.  In the middle of the road there.
Yeah, I remember, what actually in Camden High Street?
That's it.
They're still there?  It's still got a rank there?
Yes, it's got busier again.  Not many people ranked up there, but now we're not so busy there's always about 3 or 4 taxis on there.

So if someone phoned in wanting to be picked up from Camden High Street, they'd just radio the rank?
No, what happens, say you wanted a cab, well to St. Paul's Crescent, they used to call like if there's a taxi on Camden Town rank and give it (the job) to them.  And away you went.  It was just a lot easier.
Right, because they knew there'd be a cab there.
Well, yes. 
Or, it'd be more likely...

Yes.


Try my new book!


Previous post...
What if Im not ready to explain the Facts Of Life to my kids? #WeAreTheProblems


All about me, and getting these by email.

Thursday, 27 September 2018

How To Be A 1960s London Taxi Driver part 3 - chats with my Dad about The Knowledge and driving a Black Cab



Here's the third video I shot with Dad about being a London black taxi driver in the 1960's...

He's stopped driving now, and handed in the Green Badge, so I'm glad I asked him about things I'd not heard before.

I love where he's horrified that he let me ride up in the front of the cab in the 1970's.

I'd be hanging on to his radio microphone from the ceiling, like a straphanger on the tube.

(feel free to turn the speed up and whack the subtitles on...)

How to be a 1960s London Taxi Driver Part 3 | Chats with my Dad oral history



0:00 Ian talks about joining the London radio taxi circuit called Lords... the kipper season...
1:15 How you'd get a radio in your taxi from Pye
2:00 Being horrified now that he let me sit in the front on the cab
3:00 The secret panic button
4:00 How radio dispatch worked with jobs phoning in
6:00 All about ODRTS (the Owner Driver Radio Taxi Service), Lords, Dial-A-Cab...
7:50 More about the emergency button
8:55 Catching cabbies who abused the radio

Out now as a book on Amazon UK Kindle and paperback! As an Amazon Associate I earn from qualifying purchases.



Or here on Amazon US

TRANSCRIPT:

- and and then so then when did you join Lords?
Was that soon after you'd passed?

No, I gave it-- oh... it's 1970... I think... it was February 1970

Was it easy to join?
Yes in those days - but it was there again it was like the kipper season.
There wasn't much work about - this is why most of the fellas didn't buy their houses because February was absolutely dead.
There's hardly any work about.

When did they call it the kipper season-- why did they call it the kipper season?
Nobody knows [LAUGHTER]
They do not know why.

Is it because you had to eat kippers during that--
I think really, that's the best-- it's all we could put on the table.

You've always said is that the first two groups in London that know what the economy is doing are the prostitutes and the taxi drivers...
Yeah, and publicans. Oh that's right, yes.

So then you joined the radio circuit, do they then put a radio in your taxi?
Yes. I think you had to pay for the fitting.

A-ha.
It was Pye - out as you go up erm, Highgate Hill, it's near your school you go underneath the bridge (oh gawd I can't remember) or if you came along Gordon House Road turn right, you've got the pub there and underneath the bridge you had mews'es. And Pye's place was there.

That's PYE, P-Y-E... They're like a radio outfit.
Yeah.

And they'd what, like wire up an antenna and...
They'd put something in your boot. You'd have a big box in your boot.

Oh what, a transmitter?
Yes. You had a big mouth piece there...

Oh that's right - it's like the McDonald's drive-through (cashiers) microphones.
And when I used to take you to school, you used to hold on to that.
And these days [thinking about it] I just come over cold, because you'd sit there holding this thing.
[Laughter]
Can you imagine doing that [today].

Because I was sat in the front?
There was a partition there. And you sat on the partition and held this thing.
Oh... you couldn't do that these days.
Mind you, things were a lot slower then. The cabs were a lot slower!
[Laughter]

I have such fond memories... yeah back in the seventies you could... well you could go anywhere in a car, so you could've been in the boot. But in the taxi you could sit in the front in the luggage compartment and I used to love that!
And yeah, like you say, so you'd have like this armrest... that I'd sit on and hold the microphone!
Hold the microphone yes.

I'd forgotten that.
Oh I haven't. [Laughter]
No, well, when I think about it these days...

Yeah I s'pose so. Oh it was fun... It was fun though, that's living a little isn't it.
So you had a radio fitted. And the other thing I remember with the radio was that, well there were two things: there was a secret button. So basically was like a proper button...
Yes.

So that if... so you were Apple 31?
Yes.

How did you get that number?
No, they just dished out anyone.
You know, you'd join the circuit, and a number was empty and they gave it to you... as someone might have left the circuit...

Right, so you were A-31.
Yes Apple 3-1.

Which is Apple 31. And then could you hear other [drivers]?
No.

Oh so you couldn't hear [others].
You could always hear the central control?
Yes.

But you couldn't hear what the other...
...drivers were saying, no.

But you'd hear their call sign? So they'd call out - I don't know - what would it be...
Charlie 22 or something?

Yes. "Black 6-5 with the pipe" or something.

"Black 6-5 with the pipe"?

Yeah. Because he's always smoking a pipe.

So he was called "Black 6-5 with the pipe"?
Well this fella was.
[Laughter]

Were there any others?
I can't remember any...

And how would that work? Would you like start the cab up, and would you let them know that you're that you were there?
No.
They'd just put out a general call?
Yeah. But they would say, like, "Agar Grove going to Kings Cross."
And you had a call - an open call, first call...
If you were so many yards on top of it, and then you were a quarter of a mile, then you were half a mile. But... you could sort of cheat on it.
But some fellas always got caught - they were giving a false position.

What would happen?
You'd go for a Board of Complaints thing. And they could've been told off. Or let off. Or whatever.
Wow, so it's like a manual Uber, isn't it? They'd put out a call - pick up from Agar Grove. And, so the open call is to just see who's there.
Yeah, I can't remember it all...

So you'd go: "Apple 3-1, I'm in..."
St. Paul's Crescent.
Yeah.
And the nearest driver got the job.
But some people had only just come out to do a bit of [work]. So if they'd call like, Agar Grove to Kings Cross - it's a short ride - a lot of people didn't want to do it.
I used to love doing it. The smaller ones.

'Cos there'd be like a minimum [fare] on the clock already?
Yeah.

How did you know what to say, did they train you? Was there like a protocol with what you're supposed to say?
Yes. Well, you'd just say Apple 31. Then the dispatcher used to come back to you and say like "where are you?" And you'd give your position. Then someone else would come in and they'd give their position.

And you couldn't hear what they were saying anyway.
No. And he just repeated it - what the other fella had said.

Did you get to know the dispatchers over time?
Not really.
Or recognise them?

Oh you do, but you never sort of met them. [You] just plodded along.
And they were based in Pentonville Road?
The first, Pentonville Road, and then they moved to Maida Vale.
Right. Yeah, because it was - the circuit was called "Lords" but the, not the company, the... organisation was the Owner Driver Taxi...
ODRTS. The Owner Drivers Radio Taxi Service.
It's a bit of a mouthful.

And then that became "Dial-A-Cab"?
Dial A Cab, that's it.

And what did "Mountview" become? Were they, did they...?
They became Radio Taxis.

And then, what, "ComputaCab" came along?
Yeah, 'cuz there was so much work, we couldn't cover it.

So then a third circuit came up?
Yes
And then THEY couldn't cover it!

So then a fourth one!
Yeah [Laughter].

And then... none of them! Now they're starting to fold back down again.
Yes. They're joining up. But it's modern technology, I mean if we'd all been one circuit, you just couldn't cover the work.
Yeah.
It's technology that's changed the job.
I mean instead of asking where Apple 31 is, they know where it is because of the - what do they call it - GPS.
Yeah and then the other thing with the radio was that you had the big button that you'd press...
Yes.

There was there was, erm, there was a secret button wasn't there, like an emergency button?
That's right. I think over the years. I can only remember one incident where one of our cabs... some car wouldn't let him out of a mews, so he's pressed the button and then all the other cabs go round.

Right, so then in an emergency you'd press this button and it would cut out all the radios, so you could only hear this one taxi? It was like an all-points emergency.
I think, no, what the fella said, he'd press the button and they just say "Right, we've got an emergency, shut your-- all be quiet" and then he could hear what he was saying.

Right, and then the idea was that everyone could go down there to help him.
Yes.

But like you said, that only happened once in like 30 years?!
Yeah, I could only [remember once].
Well [on] the hours that I worked.

But then there was that thing in the 80's, which was that... someone was pressing this button. And basically you had your cab fitted with like detection equipment, it was like er... meter that could measure the strength [of the signal] and you were... they were called "Rat Catchers"?
Secret Squirrels.
[Laughter]

I had "Rat Catcher" in my head. Okay.
And then what was that about?
Well some fella's got the hump to the circuit. And instead of getting it ripped out, they would just sit in, and press that button and... just sing. Or make a noise.
They just had the hump to the circuit. Well, it just sort of shows the mentality of some people.
And we used a London Underground map. You'd find it's A-B-C-D-E-F-G and there was about 4 or 5 of us, and when we were working... if they said the noise is coming from [nearby we'd mark it down]...
Oh, a fella fitted his cab up - so that he could hear the other drivers and they could tell which area [the noise came from].
You had a screen, like a meter, in your cab. And if someone else was misusing/abusing [the radio] your meter would come up.

Yeah, it would measure the signal strength, and then they'd try and hone it down [to where the noise was coming from]. Did they ever catch him?
No, because I joined when there's more than one.
Then when people started to realise that they're gonna get caught - so they didn't do it so much



Try my new book!


Previous post...
What if I'm not actually properly married? #WeAreTheProblems


All about me, and getting these by email.

Friday, 14 September 2018

How To Be A 1960s London Taxi Driver part 2 - chats with my Dad about the knowledge and driving a black cab



Here's the second part of the video I shot with my Dad about becoming a London black taxi driver in the 1960's...

Partly for posterity, part legacy, part oral history, part for my kids and family and part stark reminder of my own career mortality.

It felt great finally sitting down with a camera and hearing about things I'd never asked him about:

Hating having to learn the suburbs,
What happens when you finally get the Green Badge after 18 months,
How do you get a London taxi in the 1960s "on the flat"
Getting the meters changed with fares and "bingo cards"
The dreaded annual Overhaul where your cab can fail for anything
How the taxi radio circuits started in Kings Cross
And what was his hubcap syndicate all about?

(feel free to turn the speed up and whack the subtitles on...)

How to be 1960s London Taxi Driver Part 2 | Chats with my Dad oral history



Out now as a book! As an Amazon Associate I earn from qualifying purchases.




TRANSCRIPT:

So you started the knowledge and then you had some appearances at 28 days?
Yes.

And then you got the points that you needed to bring it down to what every 14 days?
Yes and usually had two appearances of that and what did they do - once you've passed that, they give you your “rec”.

But then you do the suburbs afterwards?
Yes and a couple of appearances, you know, can't think of it, I hated it...
Like Camden Town going to Barnet or something like that

Yeah. And you had to know all the street names in...
Well roughly yeah, it was a lot big big names you know like Marble Arch to Edgware - well
that was Edgware Road - and then about two other roads and then that was it, you were there.
And you used to call them rhubarbs - or did I imagine that?
No, that's what they call the Hampstead Garden Suburbs.
Hampstead - Garden - Suburb but they used to call that rhubarbs.

But then what happened was it was there one appearance where you knew it was the last one or did they just suddenly turn around and say you've done it
Yes.

So you knew there'd be like one more.
And you knew you'd done it.

And if you blew that one you know there'd be another one - you'd come back in a fortnight's time
Then what happens do they just give you like a piece of paper then, or...

I think you've got to pay half a crown for your badge or something um pay for the postage for them to send it to you!
And that's when you get the green badge?
Yes.

No but I've lost - I lost two of them My first one was 12857 that's the one they gave me.
You can still remember it?
Yeah.
Well it's just such an ordeal you go through.
You'd see some fellas when you first went there, they've got nice suits on nice polished shoes... but after 18 months your suit was polished at the elbows you could see your shoes worn down and the frayed shirt.
Cos you've got no money

So you had to dress up for the appearance and--
You still do.

If you lost it ever you got to go to a police station and fill out a form.
And then they gave you another sort of form just in case you got stopped by the police

And then once you, once you got your green badge how, how does the taxi work, back then, did you have to buy it rent it or?
It was called “on the flat" and you had it for a week
I can't remember how much, about 13 pound for the week and you put your own diesel in or you could have it on what they call "on the clock" on those meters that you do a percentage you know you give the owner 70% no, 60% you kept 40% and all your tips but usually the cab went out again on the end of the day or end of the night when you finished.
Either you call half on the flat, you could share it with somebody but that more or less everybody went on the on the full flat - why they call it that I don't know - then you could keep it, use it as your own - for your own use as well which is quite handy yeah and --

where was that in town somewhere?
Yeah it was off of West End Lane - in a garage there.

It's 2 houses now!
Yeah, a luxury block.

But back then it was mechanical meters?
Yeah yeah, and when they put fares up they'd have to - you'd have to drive in wouldn't you - you'd have to physically...
And have a new meter and sometimes you had to wait for the cab to go to Overhaul because they just couldn't alter all these mechanical meters at once.

Yeah, there used to be like a...
I remember there used to be like a thing in the back that explained the fares, but there was another thing for when the fares went up that would convert what's on the meter with the new...
Oh yeah we used to call them bingo cards And they'd cause more ructions than anything!

People-- Because you'd have to explain that the fare on the meter isn't-
Yes because it's on this big place here...
and the more intelligent the people were less ones that they couldn't work it out
yeah yeah funny.

yeah that was the other thing that I remembered the the Overhauls - they sounded just as stressful as the as the knowledge - because every year it's not like an MOT, it's like a proper they go through everything don't they - on the taxi.

Yes, you've got to have it steam cleaned... first... and then just everything needed doing

because they could fail you on silly stuff?
Yeah, if the cigarette thing was full up.
Another thing I used to get in a state with with your Mum - the state I used to get in because it meant you know if your cab had failed, it'd mean another couple of days off of work.
Sometimes a good thing sometimes it's a bad thing
yeah I thought it was a good thing because it's a bit like your body if something's not slightly right you let it go it gets worse and worse.

I remember you had the hubcaps - you had a hubcap syndicate
[LAUGH] where you was it you and three mates each owned a brand new hubcap so when one of you went for overhaul...
yeah we have those had yeah we put all the new hubcaps on it looked nice
One garage at the end of the street - a taxi fleet - he had bumpers - overhaul bumpers - he used to take the bumpers off the taxi and put these new ones on, and take it up - when it came back, he'd put the old bumpers on again.
So you were on the flat for a bit - which is like renting a taxi and then what stage could you buy one?
Well it was - when I'd got the money.
Mine was about nine months - the things they had on the flat in those days, they were just clapped out - it was horrible to drive - and you know if you take it in the garage, and get it back for a service - the steering wheel used to be all greasy... the seats used to - the driver seat used to be greasy...
But with your own one you know you take a bit of pride in it

So how did that feel when you got your first cab then?
Petrified.
Again because you'd just laid out £1250 and you're driving around and -- but after a week, you was whizzing around like anything

Where'd you get them from - was there like one place that you'd get them from?
Yes - off the Wandsworth Bridge Road.
There was a garage there.

It was only place you could get them yeah
I found, I had a manual to start with and then the gearbox was so hard - you needed to have a divers boot on to change gear.
Get it in gear - 'course they had the monopoly, they couldn't care less!

And was that LUU52P?
No, it was AGP343G.

And what model was it?
What were they called back then?
FX4.
An FX4?
Yes.

And then when when you passed - how did the radio circuits work?
Because could you drive a cab without being on a circuit.
Oh yes.
When I first started, that was you know a self-indulgence.
You know, if you wanted to be, but I wanted to be on the radio because people you know the minicabs were coming in, and people wanted to pick you up on your door - they didn't want to stand in the street in the rain and- women complaining about their hair...

And you had - so you had - what 4 radio circuits in London there was Lords...
No, there was two.

Oh two?
To start with.
When I was there.
It was just 2 people who had a row with each other, on one circuit and one went one way and the other went the other way...

So there was just one radio circuit?
Yes, it started at Levy's you know that big garage at the end of York Way (N1) it was started there.

Which end of York Way?
As you're just coming from Kings- Euston Road on the right there's a big big place there
I mean yeah I used to call it dieseling up, you know every two
nights you know fill up with diesel I remember, it's like a courtyard it's now

all shops and coffee shops
yeah yeah but it used to be like this cobbled mews,
and you'd go in to get your DERV... your diesel... and you'd give the fella who filled it up
a couple of bob and he checked your water and your battery

But they had a radio circuit there - you know a radio--
Yes.
Because he had some premises there where you went downstairs, and I think this fella Levy
had been to America and seen it and tried to start it up at... there.

But then someone else - I can't remember names of the fellas - took it over and moved up Pentonville Road and started it there.

So then and was that going before you became a driver you know there was already a radio
circuit yeah yeah
and then so then they split yes
but before your time yeah

and one was called Mountview and one was called Lords
Yes - that's because that was the phone number right that's the name of the exchange, in
London yeah

So where was Mountview based?
Right at the top of Highgate Hill in one of those flats there.

And Lords was in Pentonville Road.
Right, so when you phone up for a cab you'd either phone that number or your number - Lords
- and and then so then when did you join Lords?


Previous post...
What if I can't breathe through the night? Every night. #WeAreTheProblems


All about me, and getting these by email.

Thursday, 6 September 2018

How To Be A 1960s London Taxi Driver - chats with my Dad about doing the knowledge and driving a black cab



My Dad’s a London taxi driver.
A cabbie.
Licensed Owner/Driver of a black taxi.
That’s silver.

Except he’s stopped driving now.

Taxi drivers don’t retire.
They just stop driving.
And hand in their precious Green Badge.

You don’t get a leaving gift and goodbye card, even after serving Londoners for over 50 years.
But he pounded the streets of London for money.
And I knew it was hard getting that licence, that Green Badge.

When he stopped driving, I suddenly realised that I had no idea how hard exactly.
Or how he got there.
Or why.

And I’ve got kids.
I know they will ask me about him or look him up in the future.
So this Summer, I set up a camera and we had a chat.

Here's the first part of the video...
How to be a 1960s London Taxi Driver: what was it like? Chat with my Dad 1




I know there are questions in here I’ll kick myself for not asking, or answers where I didn’t follow up...

But this is what he did tell me:
What it was like to pass "The Knowledge" - the toughest road test in the world: to memorise every street, building and place of interest in London; Getting the Green Badge; Hiring and buying a London black taxi cab; How London's licensed taxi radio circuits worked and how to join them; plus the tricky odd and weird customers he's faced over the years.

And I put it all in this book. As an Amazon Associate I earn from qualifying purchases.:



UK LINK
https://amzn.to/2PL4c5R


US LINK
http://a.co/d/3yX2yyd



And maybe now it’s in print, I’ll end up thinking of some other questions to ask him...

Here's the full transcript:

okay Shall I sit down here?
[KEYS LANDING] Ooop, missed.
Crystals?
So yeah, if you're able to... talk about viagra?
No.
[LAUGHTER] Good evening and expenses, if you can put this on?
What do I do?
That - good isn't it.
How did it do that?
Looks like you sneezed down yourself.

Erm, yes so erm, I thought cuz cuz my kids are gonna ask me all these questions about you as a taxi driver in the 60s I won't be able to answer any of it because I'll probably have alzheimers myself and er... but it's just sort of stuff that I didn't know about you know what it was like becoming a London taxi driver in the in the 60s so all I know is that you would you were driving already
yes

because you were a you drove for a film company - the Italian -
What it was, we'd drive like an 8 seater - no 12 seater van - or a Volkswagen, you could open that you know open the sides up and you could put all the sound gear for whatever all the camera gear there and you know these film companies just hire stuff out almost pointless them buying a van or something like Italian television coming over here and just hire for three or four days

Then you were at a unit driver yeah for other film companies
yeah and we used to move Movieolas or something like that to drive down Dean Street pick these things up and deliver to companies all over London But something that was ideal because some days you were sort of lean, you didn't have any work so it could take your moped and go and see all points to set rules of London

That's when you're doing the knowledge?
That's doing the knowledge yes and its very very helpful because you doing usually doing
deliveries all over London that you certainly started to know your way around you didn't know the names of the roads but once you're doing the knowledge you could sort of pick the names up and you could picture yourself going along it was only eighteen months
so when you were...

you were driving already and then you you got the idea to get a taxi license
yes because I was always skint and I never had any money and I think for two Christmases you know you just didn't have any money in your pocket, and it was horrible feeling so you think well if I had a taxi license at least I can go to work and earn some money and it'd keep me out of the pub!

And when - do you remember what year this was roughly?
yes it was about the third or fourth of January 1967 I went along to the Carriage Office and
signed up and you get a pep talk and the fella says ninety percent of you will fall out of it.
I think he was right

And you - so you like sign up, and then do they do they give you a book
Yes, it's called a Blue Book which is white and had about 300 different runs that you do like Manor House Station to Thornberry Square, and you just got to... well you just do it's easy way of doing it

And in the book do they list all of the streets and basically you've got a look up all of the places of interest hospitals, police stations, anything that's of interest to London.

And erm, how long, can you remember roughly how long they give you to your first... because your interviews called Appearances
yes

Do you remember how long it was to your first appearance
yeah in those days it because they were short of drive cab drivers it was 28 days Right...
I think nowadays is 56 days or even longer than that and then they didn't really nobody knew how it worked, but this all worked out if you did a run more or less spot on you got two points if you coughed it and spluttered your way through you go one point I think when you got 18 points or 20 points they put you down to fortnights.

Right 22 points overall or 20 points in one appearance?
No more or less I don't think they would let you do it in less than 18 months

Oh, right so on each appearance could they ask you anything from the 300
Anything.
[LAUGH] And anything.

My favourite one was they asked you for the Institute of meat to the Institute of Management and it just fascinated me this one it was - the Institute of Meat was in Bristol House and you used to have to get your bike, and look at all the names in there.
And the Institute of Management used to be behind Holborn police station
it's just a short run but I did it just fascinated me the er...

It's 50 years on and you still remember that that's why I don't get-- whenever you say - you - because you don't talk much about the famous people you've been in the cab, but whenever you do so like ABBA in the 70s you remember the run that you know
It's just strange these things stick in your mind

What were the appearances like? What were they-
Terrifying

Yeah cuz Mum said you used to be like really like properly ill.
oh yeah I couldn't drink a cup of tea but if my...
If I was having a cup of tea before I went up there I used to throw it up.
And what would calm me was I would walk down from Harmood Street to the Carriage Office up the Angel and often that helped, but everybody was all the same there was all sitting there, petrified I don't know why - it's a form of stage fright I suppose, because you know -- you don't know what they're going to ask you and if you're doing it part-time and you need the money, you just want to pass out.
Actually if you get there and sit down and you just want to say no no no no I don't know it I don't know it and get out.
But they were there to test your temperament you know one fellow if you went in there Mr. Findlay and you had to stand there and wait till he told you to sit down - if you sit down he wouldn't mark you, you'd have to come back in a month's time.

No - so they could bump you out that quickly!
Oh yeah!
But it was all designed to wind you up.

Yes.
You couldn't call what was it, the QV the Queen Victoria Memorial outside Buckingham Palace - it's nickname was was the wedding cake - but no way would you be allowed to call it a wedding cake.
Or the other story was even if you get to Tower Bridge and the fella said "keep on" well the fella said that Tower Bridge is up, and of course that didn't go down very well.

Did they do it to you?
Er no.
Or you just heard about it.
Oh yes.
I was so petrified...
I think I'd be frightened to--

Yeah, and when you were learning the the knowledge were you on a moped or a bike?
A moped with no crash helmet.
Like a Delboy cheesecutter (hat) you had on, it was part of the uniform.
And what like a clipboard on the front?
Yes.

And would you write the stuff out before you went out or would you like tear pages out of the book?
No no you just write - usually if there was four runs you could stomach that - or get it in your head - if you went any more than that it was too much and the run was more or less all the roads you went through I mean I like a fella finished the knowledge and he gave me all all the runs.
And then some you could easy top of your head some on you stumbled and some you couldn't remember at all mine was all over South London - and I had like three piles - the easy ones - not so easy ones and the hard ones and you used to call it over with you girlfriend - I used to call it over with Vera, my wife.

So then - what you've have them written out
Yes each road.
And if like I don't know is this how you used to say it - "Forward down Agar Grove, left into York Way..." yeah and like "comply roundabout"
yeah, "leave by..."
I think so long as you knew which way you were going I think they fell asleep


Previous post...
What if I'm never ready for the next National Crisis? #WeAreTheProblems


All about me, and getting these by email.

Friday, 27 April 2018

Rod Hull and Emu at the BBC




The most watched video on my Youtube channel at the moment is Boy George on Larry Grayson.

It must be the way I worded it.

But the second best most watched is this, one of the first packages I produced for TV...

It's a montage of Rod Hull and Emu's time at the BBC for a long-forgotten BBC One programme called Aunties TV Favourites with Steve Wright.
(I left out the infamous Michael Parkinson clip, that was played in separately for the show but to me he just comes off as a miserable so and so anyway.)



I went through every show he appeared in and managed to get in his first British TV appearance on Lulu, Ronnie Corbett, Peter Powell, Sing A Song of Emu, Michael Aspel on Ask Aspel, Larry Grayson and the Generation Game, the dogs and presenters Lesley Judd, John Noakes, Peter Purves and Shep, EBC 1 (Emu's Broadcasting Company, Ahhhh!) and Norman Wisdom. I added some more clips which weren't used at 0:58.

Enjoy!

Friday, 15 September 2017

Boy George on Larry Grayson’s Generation Game - how I got to watch every single one



This is probably the first VT I ever produced - which means it’s the first bit of TV where I found the clips, shot the speaker and put it all in the right order for it to be played to a studio audience and out on BBC One (which was then called BBC1).

Boy George on Larry Grayson’s Generation Game




Found it in the loft - and don’t know why I feel like I need to put it out there.
I’m still really proud of it and stuff from exactly 20 years ago was on my mind (weirdly before all of the Diana deathiversary stuff came up this summer).

This was big for me for a bunch of reasons...
DV tape cameras were the new thing in 1997.
Before then, you had to book a full crew to shoot anything at the BBC (or anywhere else in TV).
There are good reasons for this - as the rubbish picture and sound quality in that clip shows. But it meant that quickie talking-heads items were expensive to make - especially as John Birt had just introduced “Producer Choice” - an internal market for putting a cost value on everything that the BBC did.

I was very junior on the team, and like now with youngsters and their online skills, I was the one to put myself up for an afternoon of training on turning these cameras on and pointing them in the right direction.

The second thing that was awesome was that I watched every single Larry Grayson show I could get my hands on. It’s funny, but the “Birt Bucks” we saved by shooting ourselves on this new camera were completely blown by the BBC archive charging £10 for every VHS tape we borrowed - wathcing and reusing clips suddenly became very expensvie with the fake internal market Birt Bucks...

The third goes way back. I grew up in NW1 and went to school in NW3. I’d go visit and play in some very nice homes in Hampstead - with families who were really friendly - but these were other worlds. Gothic piles with crazy number of floors, compared to our 1970’s converted upper maisonette.

To be going on my first shoot, back into one of these buildings - Boy George’s internationally famous home - somehow felt like I’d made it.

He was really polite - that special purple hat is something I now spot through the decades with glee - but we were rightly escorted into the room and nowhere else, did it, and then left. Then the happiest week of slamming his story between those bits of Larry Grayson gold - on 2 VHS machines linked together by a controller that laid each clip down one at a time. I think I did a thing where the two audio tracks could overlap each other by putting Larry on the left and George on the right of the stereo. It was so much more fun laying things down and seeing what worked in a linear way, tape-to-tape, than the precision you can fiddle around with now. Maybe the decisions were bolder - it seems to take exactly the same amount of time to edit things with computers now.

I took that VHS I’d made in the office into a VT booth at Television Centre, and then the brilliant VT editor, Nick Peto, made it sing. Using the actual tapes of the shows on a bank of D3 machines that hummed and whined as he tweaked in and out points of the footage, showing me tricks that made the thing rock along.

My only regret is that the Airman marching at the end of the bit ran long at the end of my version, and was cut for time in the final show. It’s still in the loft somewhere. I’ll put it up when I find it.

Wednesday, 20 July 2016

El Bimbo - The Music From The Blue Oyster Bar (in Police Academy) and where it all came from



At school, my mate Rob and I would hilariously break into this tune, any excuse, any given moment.

If you don't know the bit from Police Academy, it's okay, I won't explain it here.

And because it was 100 years ago, it was impossible to get a recording of it anywhere.

Now it's one of the tunes I've spent way to long tracking down where it's come from
(the others include Go West, and Take On Me) - they've got surprising versions behind them.

So here's my little shrine to "El Bimbo".

First, feast your eyes on this! Bimbo Jet from 1974



But in the movie credits, the tune is "Written by Claude Ganem and Performed by Jean-Marc Dompierre and his Orchestra"

I can't find any Jean-Marc Dompierre videos, so here's Paul Mauriat — El Bimbo



And here it is in German - Marion Rung - El Bimbo (Hitparade 1975)



But all of this might be a little unfair -- there's controversy online over whether this guy wrote the thing - the Afghan performer Ahmad Zahir. (It all depends if you believe the date of his album "Lylee" is 1971 or 1977...) Either way...

Tanha Shodam Tanha



Sing along now!

Tanha shodam tanha
Asooda az ghawgha shodam
Az bas ke khordam khoon-e dil
Chun ghoncha az ham shodam
Baaz ast dar-haye qafaz – ay morgh-e dil parwaz kon – gulha ke een gulzar raa
Man aashiq tanhayee am – khod mahram-e raaz-e khodam – ba naghma pardazan bego

Translation:
I'm left alone, alone
(literally: I became alone, alone)
I'm left relieved of any chaos
(literally: I got/became relieved from all this riot)
So much i took this pain that
(literally: so much I drank my heart's blood that
(it's a kind of a proverb in middle east speakers for expressing being in pain or bearing the pain like: khon-e dil/khon-e jigar))
I started to develop like a flower bud
(literally: I blossomed like a newborn flower (a red flower from the blood been drunk))

The cage is open, Fly O bird of my heart
(imagination)(literally: the cage doors are open--o bird of my heart fly (imagination))
There are lots of flowers in this flower field (rose garden)
but I'm in love with my privacy
(literally: the flower field is full of flower - I love the privacy)
I'm confidant to my own secrets, Go tell musicians
(literally: myself am confidant to my own secrets, discuss with musicians or tell the musicians)


All my fave things from the web are here...

Previous post...
How to turn back time on a recalled Volkswagen #BritishDadStuff


Tuesday, 1 March 2016

Hawley Infants School, Buck Street, Camden Town is moving...



And I was there in the late seventies.

Front row, in the middle of that picture - that was my first ever day at school.

Someone got in touch after my Gospel Oak post last month and told me it's moving to make way for a new Camden Town Underground Station
(brilliant article about the history of that on London Reconnections here).

But it's brought back loads of memories:

I'm going to pass these on, but putting them here so my own kids - who are the same age now as I was - can get an idea of what Infant School was like.

Also, someone googling Hawley Infants School, Buck Street, Camden Town might end up here...

I remember...

In that first reception class, pictured above, Mum delighted telling us how she picked me up and the teacher looked grim. I'd painted a very special large new stuffed donkey that had been brought back from Spain, completely purple.



Raymond did a trick on me.
You were only allowed one plastic beaker of water at lunchtime.
(Today's Infant School water bottles mock all parents from the Seventies).
Raymond said "I bet you cant drink it faster than me"
I gulped mine down.
"Haha". He revealed his cup still full.
"I made you drink all your water..."

Also at lunchtime, in the main hall, Mrs Rose made me eat my rice pudding, and I was sick.
Literally sick on the floor.
I never forgot Mrs Rose.



This is my swimming certificate.
I remember the light blue ILEA bus that took us to the Kentish Town Swimming Baths, and "drunk Bill" who was one of the swimming guards/teachers (ahh.. See also - I Survived the 1970's, where's my medal?).
And spotted only recently that The Mayor of Camden did not sign it.



I asked the current Mayor if I could swim 10 yards in front of her to get it signed on twitter, but guess she is very busy with Mayor of Camden business.




By the way, we used to travel there by Inner London Education Authority bus which looked like these.


William Beverley was in my class, and told me about "Santa" at age 6.



St. Patricks Day 1976 - Friday 26 March 1976 - article in the Camden Journal (before it was the New Journal) I'm second row back from the front, on the right 3rd in, like my own son in school photos, facing completely the wrong way.



I really remember a long conversation between the Music teacher bearded man and Miss Hammond about what they were going to teach us to sing to Mrs Laoutaris for her leaving (to be succeeded by Miss Hammond as Headmistress) - he really wanted us to sing "Somewhere Over The Rainbow" but Miss Hammond thought that would be too difficult to get us to learn in time.

And I remember a story from Miss Hammond's class - about TickyTickyTempo-No-Sah-Rembo, Charry-Barry-Ruchie-Pip-Perry-Pembo.
Man, decades on, how is that still in my head.



Playground stuff:
I used to play "CHiPs" on the concrete slope with my friends in 1979.

There was a toilet block in the playground, with a defunct steel box on the wall that my friends and I pretended dispensed bananas.
It was all the entertainment, or playground equipment, we needed.

The playground frame was blue.
With concrete underneath.
See also, Living in Lulworth




Queen's Silver Jubilee 1977
All the parents brought food for the party table in the playground, and Raymond's mum brought some Marmalade on bread.



We were supposed to get a Jubilee coin, but got a plastic mirror with red ribbon with a British Flag sticker on the back, and were told "the Bank had run out of coins". (Reading that article at the top, I'm not sure maybe they could afford it).



(One of the "Great British mirrors")

There were a few times that I kissed Sarah Goff behind the bins that used to be next to where the nice new gates are now (just over my shoulder - the gap has been bricked up to stop that kind of thing now).




My best friend Michael Holland left in the middle year. It really hit me, and thought about it way too much afterwards.
It only came back now when my own 6 year-old son's best friend Teddy left his Infant school too.

Headmistress stuff:
Mrs Laoutaris tried telling my sister and I that it was wrong that Dad didn't take us into the school gate. We used to get out and walk in ourselves. We said, "it's okay, he trusts us".
(The 1970s were safe, right?)

I'm not sure it was Mrs. Laoutaris, but a lady spent a whole assembly explaining why it was important that Israel won the Eurovision Song Contest for the first time in 1978.
The whole assembly.



Mrs. Laoutaris always played Fingals Cave at the start of every assembly on the record player in the school hall. It was a noble effort - but I really hate hearing that song now, and remember staring at the record sleeve, propped up on the record player which had a picture of some sea foam.


I had a really happy time there, but there was one thing that terrified me.
We watched TV programmes like "Look and Read" in the room at the end of the hall.



I remember - really vividly the black and white swirling countdown, with spooky sinister music.
By accident (looking for ILEA bus pictures) I tracked it down - it was a special ILEA TV channel and used before every programme played on the channel.

It's at the start of this video...



I remember using the orange folders with cards to put together sentences.

And I remember us all walking down to the bottom of Camden High Street once a week to the Library, near Mornington Crescent, for story time.


My guide to Understanding Your British Dad is coming together here

Previous post...
Draw all over your paperwork. Its the best way to get a refund out of South West Trains and other UK monopolies. #BritishDadStuff


Subscribe by email - send me your address, here